“I talk about what I see, and I’m so sorry that 99% of what I see is no good.” Manu Chao

If you're in the mood for happy music, go to my last post, but if your inclination is toward darkness, stay here.

When I started medical marijuana, I switched overnight from talk radio all day long to music radio all day long. I started with modern American pop stations because I was looking for musicians to complement my collection of artists from the sixties and seventies. Whenever a commercial came on, I would flip to another station trying to find even one artist I liked, but I never did, and it wasn’t because I was stuck in the past. Indeed, I was screaming to be carried into the 21st century music scene, but not just because I live in the 21st century. Since I liked a Colombian singer whom Peggy enjoys named Shakira, I started getting library CDs by other Latin performers, and that’s when I stumbled upon Manu.

Music is crucial to my altered vision of the world, and so I had to find at least one new artist for this new day, an artist in whom I recognized brilliance, integrity, passion, and benevolence. I didn’t want an artist who would take me out of this world, but an artist who would put me more deeply into it than the news ever had. Manu is that artist. Listening to too much news hadn’t opened my heart; it had overwhelmed it under a cloak of objectivity, and I had closed myself off in defense.

You can find Youtube footage of Manu Chao performing concerts at packed soccer stadiums in dozens of countries on several continents, but if you’re an American, you’ve probably never heard of him. Such is our isolation. The song at the top was the first I heard by him. The opening lines (“Welcome to Tijuana. 
Tekila, sexo y marihuana”) made me think that the song was either a tribute to or a spoof about a major Mexican/American border city, and I smiled. Then, Manu’s voice—and other sounds and voices—began to come in one by one with incredible sadness. So it was that my first lesson about Manu Chao was that his music never gives me what I expect. I can’t even listen to two-thirds of a song by him, and guess where he’s going with the last third.

Manu grew up in Paris, the son of Spaniards who fled Franco. He’s a leftist who sings in many languages but mostly in Spanish. A common theme in his music is wealthy countries and individuals that live on the backs of the poor. Yet, to one like myself who has to look up the translations, his music initially sounds almost upbeat, and this combination of sad words and happy music makes the sadness more profound. I hear in his music the irony between how we all, to some degree, appear on the surface versus the heartbreak that we feel within. I’m also attracted to the layering of voices and instruments and to the changes of direction that he often takes within the course of a single song. So far as I know, there’s no name for his style of music.

Below is the same song performed before a live audience in France. Part of his appeal as a live musician lies in his ability to turn the mood of tens of thousands of people back and forth instantly. This--along with seeing him on stage--makes the video phenomenal, although I find the actual music less pleasing than the studio version.

“Music…became the engine of my life.” Lou Bega

I found Lou Bega’s CD A little bit of Mambo at Goodwill last week and, not having heard of him, decided to risk $2.69. Peggy likes him more than I do—I’m sharing him with you partly to give you a sense of the playfulness that I love about her—but I readily acknowledge his brilliance.

He was born in 1975 in Germany— where he still lives—and is of Italian and Ugandan descent. He released a hip hop CD when he was 15, but his career only took off after he lived in Miami and discovered Cuban music, specifically mambo. According to Wikipedia, he once performed in front of 170,000 fans in Poland. When I hear of such crowds, I immediately wonder two things: how far away from the stage was the fellow in the back row; and how much of a walk was it to the toilet?

I’m sharing this particular song because most of you are women, and it struck me as especially powerful for your gender. Play it once, and you laugh; play it again, and you cry—or at least I do, and I’m not even a woman.

Now that you’ve experienced music beloved by Peggy, get ready because I'm next, and you're in for a change.

Things just keep getting stranger and stranger

Russell—my habitually jobless brother-in-law—lived by the motto: “Dope will get you through times of no money better than money will get you through times of no dope.” If Russell was out of marijuana, he would drive as far as it took and spend as much as necessary to get some, and he would smoke it all day everyday until he ran out. Then he divorced my sister, married a woman with three children who vehemently opposed drugs, and took a sixty-hour job at an egg factory (picture a filthy, smelly, ear-shattering, disease ridden, standing-room-only hell for a million defenseless creatures, and that’s an egg factory). Go figure.

I never wanted to smoke dope all day long, but I’ve been high to some extent for weeks now, and I can’t say that I oppose staying that way. Pot lessens my pain, lightens my mood, helps me sleep, decreases my stress, renews my sense of wonder, heightens my appreciation of music, helps me get along better with Peggy, makes me tolerant of—and interested in—other people, and enables me to be more honest yet more tactful. On the downside, it shreds my memory, makes me accident-prone, messes with my coordination, decreases my ability to judge time and speed, and probably has long-term consequences that I don’t even know about. This leads me to ask which are more important to me, the good things that pot gives or the good things that pot takes away. Right now, my vote is with number one. Sometimes, you don’t know how bad things have been until they get a little better, and pot has made things a great deal better. Fuck having brains; I just want to feel good.

As I see it, pot is different from narcotics, anti-depressants, and sleeping pills (all of which I’ve relied on heavily at one time or another) primarily in that it does a better job with less risk. I’ve taken a lot of powerful drugs, but they all scared me so much that I never had the balls to take as many as I actually needed, and my fear increased dramatically as I built up a tolerance to every one of them. One virtue of pot is that you’re not going to wake up with yellow eyes or failed kidneys, and I would sacrifice quite a few brains cells to avoid either of those. Brains are good, obviously, but you have to ask yourself after a certain point how many are strictly necessary. Of course, I’m assuming here that marijuana-related memory loss is long-term, and I don’t know that to be true… Now what was I saying?

The photo is of a psychedelic frogfish and was made by David Hall at seaphotos.com